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reseña:
Developing a concept referred to in counterrevolution adn revolt, Marcuse now comes to grips with the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse contends that aesthetics is the only form of expression that can take up where religion and philosophy fail and argues convinvingly that art can be seen as the last refuge of two-dimensional criticism in a one-dimensional society.
